The Stones of Florence: 4A (2019)
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Mineral pigments on panel, modelling paste, marble dust, calcium carbonate, absorbent ground, iridescent tinting medium, zinc dust, iron glitter, cast iron powder, copper powder, graphite powder, pink marble dust, cobalt violet, ivory black, carmine, interference violet, interference gold, rosso Pozzuoli, stand oil, cold and hot wax
The Stones of Florence series arises out of a 50 year history with the Italian city - as a traveller, student, artist, teacher, researcher, and lover. Named for Mary McCarthy’s book, following John Ruskin’s Stones of Venice, who walked the streets as have I. These paintings, made from the rocks, stones, and earth of Florence and the Etruscan hill town of Fiesole, are my stories. The pigments, suspended in wax, are absorbed by the ground of marble dust collected in the hills of Carrara.
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About the artist
Michèle White’s work explores – often through sources in literature – manifestations of the unconscious or the invisible in the visible world. Deeply attached to physical practices in art and hand production, the history and meaning of materials and processes are central to the artist’s vis, ... View full profile
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